Cinedeck LLC (pioneering developer of capture systems for digital cinema, broadcast and post production, will highlight turbo-charged workflows for Adobe® Premiere® Pro CC, at IBC 2014, Amsterdam, 12-16 September (Hall7.J07). Cinedeck record, ingest and transcode platforms deliver a host of cutting-edge features that enable Adobe Premiere Pro CC editorial teams to access files faster and to start editing content while it is being recorded – the ideal scenario when rapid content turnaround is essential, such as in live, multi-cam broadcast and news operations. Published 4 years ago. ToolsOnAir Broadcast Engineering continues to pioneer the most innovative and comprehensive broadcast suite available for the Mac OS platform. At NAB Booth SL13313, the company will introduce new updates to their revolutionary 'TV Station in a Mac' Broadcast Suite, with enhancements and features including pristine image quality, uncompressed real-time graphics, seamless integration of SD and HD multiple aspect ratios, and back-to-back playback of long GOP and I-frame only codecs in the same timeline. Published 5 years ago.
Portable shared storage solution boasts support for Solid State Drives, runs on EditShare’s new ground-breaking Storage v7 platform, and sports a brand new, sleek lookEditShare®, the technology leader in shared media storage and end-to-end tapeless workflow solutions, is showcasing its updated Field 2 portable shared storage solution at NAB 2014 (booth SL5709). The Field 2 release dons a new, modern design that enhances the aesthetic of any production workspace, operates on the brand new EditShare Storage v7 platform, and supports Solid State Drives (SSDs), offering users up to six-times the performance as compared to the enterprise-class 7200 RPM drives. Published 5 years ago.
GY-HM850 and GY-HM890 Feature Exclusive Dual Codec Design with 12-Bit Image Processing, Interchangeable 20x Zoom LensJVC Professional Products Company, a division of JVC Americas Corp., today introduced its new GY-HM890 and GY-HM850 ProHD shoulder-mount camcorders, which set a new benchmark in ENG camera IP integration. Complemented by a new interchangeable Fujinon 20x autofocus zoom lens, the new cameras deliver outstanding full HD image capture and delivery, while the built-in streaming engine, FTP and 4G LTE connectivity allows live HD transmission directly from the camera without being attached to external costly and cumbersome bonded cellular solutions. Published 5 years ago. AmberFin, a leading developer of file-based media ingest, transcoding and quality control solutions for content owners, broadcasters, sports organizations and post-production houses has today announced the introduction of the latest version of its iCR (Intelligent Content Repurposing) software platform. Already shipping globally, version 9.7 of iCR offers extended Avid integration, simplifying ingest and transcode processes within an Avid environment. Simultaneously, it provides enhanced quality and throughput for mezzanine formats such as ProRes, DNxHD and MPEG2.
It supports additional codecs and wrappers as well as introducing new ‘best of breed’ function-specific UQC (Unified Quality Control) plug-ins. Published 5 years ago. Unveiled at IBC2013, new Ultra shared storage boasts the best of EditShare project and media sharing with outstanding performanceEditShare®, the technology leader in shared media storage and end-to-end tapeless workflow solutions, unveiled today at IBC2013 (stand 7.B26) the newest addition to its family of shared storage solutions, EditShare Ultra. Setting the bar for affordable shared storage, EditShare’s new Ultra offers a budget-friendly shared storage system with advanced project and media sharing for Avid®, Adobe Premiere Pro®, Apple Final Cut Pro® and Lightworks editors.
Although supporting a wide variety of video and audio file formats and codecs on both Mac OSX and Windows, you can't load all the.mxf files into Premiere Pro CC, CS6, CS5, etc. MXF is a container format for professional digital video and audio media defined by a set of SMPTE standards. MXF supports a number of different streams of coded.
Published 5 years ago. Powerful playlisting features and RS-422 deck controls support Cinedeck recorders as cost-effective tapedeck replacements in editorial and post operations Cinedeck LLC, pioneering developer of capture systems for motion picture and broadcast production, will ship a powerful new v4.2 software release on July 1st 2013 that enables its dual-channel RX and quad-channel MX file-based recorders to cost-effectively replace traditional tapedecks in everyday editorial and post production operations. Headline features include Playlisting, RS-422 deck control, LUT shaders, Segment Record, H.264 streaming, plus enhanced Audio options, Burn-ins and Closed Caption recording. This new release will also unleash an array of additional features, including ARRIRAW recording and 3D stereo modes, which further advance the versatility of Cinedeck recorders in digital cinema and broadcast workflows. Published 6 years ago. Next-generation shared storage platform integrates media asset management in a portable form factor for on-the-move tapeless productionsEditShare®, the technology leader in shared media storage and end-to-end tapeless workflow solutions, announced today the availability of Field 2, its next-generation portable shared storage solution with integrated asset management.
The turnkey platform includes file ingest, advanced project sharing/bin locking, and archiving capabilities in an all-in-one, high-performance and rugged chassis. Ideal for on-location shoots, ENG trucks and remote offices, the new Field 2 is durable, light and compact, meeting the most stringent airline carry-on regulations. Published 6 years ago. EditShare shows off its next-generation portable form factor with integrated media asset management capabilitiesEditShare®, the technology leader in shared media storage and end-to-end tapeless workflow solutions, is demonstrating the brand new EditShare Field 2 at NAB 2013 (booth SL9010). The highly portable shared storage solution offers asset management, file ingest, advanced project sharing/bin locking and archiving capabilities in an all-in-one, high-performance, compact and rugged chassis designed for on-the-go and on-location productions. “The new Field 2 design is even lighter and more rugged than its predecessor, with size dimensions that comply with the most stringent of airline carry-on regulations,” comments Andy Liebman, founder and CEO, EditShare.
“Coupled with EditShare's core asset management, project sharing and archiving capabilities, Field 2 gives editors a complete, end-to-end tapeless workflow in a small form factor with tools to collaborate with colleagues anywhere. Whether you are out on location shooting a movie or an event, on assignment in an ENG truck, or stationed at a remote office, you have the latest production and editing capabilities to make your workflow a lot more efficient and your life a whole lot easier.” published 6 years ago. Increased I/O port capabilities on a single server provides increased density and flexibility for News, Sports, Studio and MAM workflowsDalet Digital Media Systems is announcing new configurations for the Dalet Brio servers that offer broadcasters tremendous flexibility for all types of ingest, production and playout workflows at NAB 2013 held in Las Vegas from April 8 – 11, 2013 (Booth SL4524). The Brio servers can now be scaled to a maximum of 12 ports in a single server, through a four-port extension board, offering tremendous density and flexibility to broadcasters. When combined with the range of Dalet or third-party tools, the Dalet Brio servers provide even greater versatility with more improvements for workflows in news, sports, studio production and MAM.
Published 6 years ago. Leaders in broadcast, mobile OB and entertainment go tapeless and enjoy faster, more cost-effective file-based workflowsCinedeck LLC, pioneering developer of mobile capture systems for motion picture and broadcast production, is shipping Cinedeck MX. The new, ground-breaking, multi-channel recorder is now delivering unparalleled codec versatility and extreme file-based performance to broadcast, mobile OB and post facilities, enabling them to take advantage of fully-tapeless workflows. Published 6 years ago. Cinedeck’s software-based architecture enables greater capability and faster developmentCinedeck LLC, pioneering developer of capture systems for motion picture and broadcast production, continues to set new benchmarks in codec choice and operational capability with the release of its version 3.5 software for Cinedeck RX and portable Cinedeck EX record, monitoring and playback systems.
Cinedeck systems already deliver unrivalled codec choice and toolsets to enable the fastest production workflow available, and the trailblazing highlights of the v3.5 release include even more native codec support, including DNxHD 444, DVCPro HD, DPX, XDCAM EX-1440, AVC-Intra, MPEG-IMX, JFIF Meridien, H.264 capture and playback, and Nanoflash MXF playback. (Features vary by model.) published 7 years ago. Versatile GY-HM600 Features Wide Angle 23x Zoom Lens, Superior Low-Light PerformanceJVC Professional Products Company, a division of JVC Americas Corp., today announced the GY-HM600, a next-generation handheld ProHD camera that delivers exceptional imagery and features for news, sports, and independent production. It features a built-in wide angle 23x autofocus zoom lens, delivers superior low-light performance, and provides excellent sensitivity (F11 at 2000 lux) in a comfortable, versatile form factor.
Published 7 years ago. New GY-HM650 Transfers Footage Directly to Station with FTP TransferJVC Professional Products Company, a division of JVC Americas Corp., has ushered in a new era of mobile newsgathering with its new GY-HM650 ProHD handheld mobile news camera, which can shoot and deliver news footage faster than ever. Equipped with dual codecs, it produces full HD files on one memory card while simultaneously creating smaller, Web-friendly files (1/4 HD) on a second card. With built-in FTP and Wi-Fi connectivity, the GY-HM650 delivers the footage back to a station without a microwave or satellite connection. Published 7 years ago. Innovative New Channel for SCRATCH Lab, Third-Party Products and Logo Merchandise Now Available in One Convenient OnLine StoreASSIMILATE, the leading provider of powerful post-production tools for digital workflows, today announced the ASSIMILATE Store, an online marketplace where artists can discover, trial and purchase the popular new SCRATCH Lab™ workflow tool for production and VFX dailies, as well as third-party software and selected hardware accessories that support the entire SCRATCH® product line.
Published 7 years ago. Award-Winning NLE Software Provides Comprehensive GPU Acceleration, NVIDIA 3D Vision Support and New Titling TechnologySony Creative Software, a leading global provider of professional editing and authoring applications, today announced the latest upgrade to its Vegas™ editing technology. Vegas Pro 11 adds significant performance improvements to the award-winning NLE, courtesy of OpenCL™ and highly optimized GPU hardware acceleration for video processing and rendering. Vegas Pro 11 is the world's first Windows-based OpenCL NLE, broadly supporting the open standard for core video editing operations, video effects and rendering. Other new features include NVIDIA 3D Vision support for single-display 3D computers such as the VAIO F Series 3D laptops and L Series 3D desktops, an enhanced video stabilizer tool, and new software tools for creating animated titles. Published 7 years ago.
The groundbreaking Lightworks Open Source project enters Phase Two; three-tier membership program, advanced stereoscopic features and expanded 3rd party supportEditShare®, the technology leader in cross platform collaborative editing and shared media storage, is pleased to announce Phase Two of the Lightworks Open Source initiative. The Phase Two roll out includes a three-tier Lightworks membership program; a slew of new editing and workflow capabilities including a native titling tool, stereoscopic support, and advanced interoperability; as well as a new keyboard designed specifically for Lightworks functions and shortcuts.
Published 7 years ago. Matrox MXO2 Rack will be demonstrated at NAB 2009 in booth SL3814Matrox® Video Products Group today announced that Matrox MXO2 Rack, a new version of the award-winning Matrox MXO2 I/O device for the Mac, is now shipping.
The 2RU-sized Matrox MXO2 Rack is designed for broadcast news operations, OB vans, and other environments where equipment must be rackmounted. It streamlines editing workflow with Apple Final Cut Studio on Mac Pros, MacBook Pros, and Apple Xserve systems, providing broadcast-quality input/output, monitoring, and up/down/cross conversion. Users can benefit from file-based workflows with support for XDCAM, XDCAM HD, XDCAM EX, and P2 without transcoding.
In addition, they are not limited to using a single codec as with some other I/O devices on the market. In HD for example, Matrox MXO2 Rack supports a variety of codecs including ProRes, ProRes422 HQ, DVCPRO HD, and uncompressed 8- and 10-bit. Published 10 years ago. Blogs: Ki Pro Mini - An Unscientific Setup About a week ago I finally acquired my Ki Pro Mini but only now have I had the time to write about it. I ordered it back in September when they were first announced, which is why mine showed up before the broadcast supply houses in my area. XDCAM EX Onsite Workflow A week ago last Sunday we did a 3 camera shoot for a wedding and I must say that the combination of the EX1, Macbook Pro and our little G-RAID Mini made the SxS Pro memory card transfers a total breeze and dirt simple.
My wife was the card wrangler. New version of XDCAM EX Transfer Software Available If you're having any problems with Sony XDCAM EX footage the latest version of the XDCAM transfer software might be a big help. It has some new error correction built in that can recover corrupted material. The PDZ-KP1 XDCAM Transfer Software is an import plug in for Final Cut Pro. Related Tags.